Read WOLF'S HEAD issue 10 of the comic book series for free on the Internet Archive

Elevator Pitch

“Desperate to protect a vulnerable young AI, Lauren Greene flees an old enemy through Detroit’s shadows with only her dog Sankō for support. Just as a mysterious ally, Super Bob Sanchez, offers hope for escape, her best friend is taken hostage in a brutal life-or-death exchange, leaving Lauren to choose between sacrifice and survival as time runs out.”

Key Links

Here are all of the key links:

• Internet Archive link for WOLF’S HEAD Issue 10: https://archive.org/details/wolfs-head-010-by-von-allan
• WOLF’S HEAD Volume 5 (collecting Issues 9 and 10 of the series): https://wolfs-head.vonallan.com/p/wolfs-head-volume-5.html
• Shop Page: https://wolfs-head.vonallan.com/p/shop.html
• Wolf’s Head Official Site: https://wolfs-head.vonallan.com/

SPECIAL STORY

This is a very special story! Why? Well, ten issues in, we see Lauren coming face to face with the antagonist that she’s been dealing with for the past number of issues. And this forces her to make a critical decision, one that will play out over the next few issues.

One of my goals since the series started was to deal with racism in a different way than is usually depicted in comics as well as other media. What do I mean? Well, since Frank McRossiter’s introduction way back in issue 1, I wanted him to be racist without directly saying so. In other words, it’s his deeds that make him a racist, not just his words. At the same time, I wanted it to be relatively subtle; Frank doesn’t wear a Klan outfit. He also doesn’t attend racist rallies, write racist screeds, or any of that. But he is racist and that’s influenced how he’s treated Lauren right from the get-go. In some ways he’s the most heinous antagonist that the series has seen so far and his racism played a key role in that. He’s simply unable to see Lauren as the human being she is. And this is despite the fact that she saved his life back in issue 6.

I’ll leave it to you to judge how I did. I will say that coming up the twists and turns in this issue was a great deal of fun! And I think it pays off a number of plots and character points that I had established earlier. As always, that’s part of the fun of creating comics. Establishing little threads and then paying them off later on. I think (hope!) that it rewards careful reading and works on a lot of different levels.

WOLF’S HEAD Volume 5 Trade Paperback Graphic Novel

For those who would like to purchase a print copy, issue 9 and issue 10 are collected together in a 60 page trade paperback graphic novel. So while you can always read the series for free, print-lovers are well-represented, too! You can learn more about the graphic novel at https://wolfs-head.vonallan.com/p/wolfs-head-volume-5.html.

WOLF’S HEAD Book 1 Hardcover Graphic Novel

Aside from the aforementioned trade paperback, the first story arc (consisting of the first six issues of the ongoing series and combining the first three volumes of the trade paperback) is also available! This is a deluxe hardcover, larger than the trade paperbacks, and printed on fantastic paper! For those who would like a more immersive experience, this is a great way to go. And like the trade paperbacks, the hardcover is widely available at better comic book stores, book shops, and online retailers all over the world! You can learn more about the hardcover at https://wolfs-head.vonallan.com/2022/01/wolfs-head-book-1-in-hardcover-worldwide.html.

The second WOLF’S HEAD Story Arc

And, of course, you can always read the entire story arc for free at the Internet Archive! Please visit https://archive.org/search?query=creator%3A%22Von+Allan%22&sort=title for all the download links!

Read WOLF'S HEAD issue 9 of the comic book series for free on the Internet Archive

Elevator Pitch

“With the villains who have been pursuing Lauren Greene and the Artificial Intelligence she’s befriended in the hospital after an abortive attempt to steal it, Lauren feels like she has some breathing room to figure out her next steps… but she hasn’t counted on the anger from one of the villains, who has a personal vendetta against her. Unable to kill her himself, the villain hires a bounty killer to do the job for him. And when that bounty killer lands in town and shows up at Lauren’s apartment armed with an EMP and a gun, things start to go very badly, very quickly. Also in this issue: Can Super Bob Sanchez repair ‘Old Bess’ (his truck!) and get back on the road before police find him?”

Key Links

Here are all of the key links:

• Internet Archive link for WOLF’S HEAD Issue 9: https://archive.org/details/wolfs-head-009-by-von-allan
• WOLF’S HEAD Volume 5 (collecting Issues 9 and 10 of the series): https://wolfs-head.vonallan.com/p/wolfs-head-volume-5.html
• Shop Page: https://wolfs-head.vonallan.com/p/shop.html
• Wolf’s Head Official Site: https://wolfs-head.vonallan.com/

BOUNTY KILLER

This issue stars a bounty killer! What?! Yes! And is, in some ways, the most action issue of WOLF’S HEAD yet! Action can be tricky to do well; while it’s such a staple of super hero comics, so much of it rings pretty false to me. Why? Well, the classic stereotype goes something like this: hero is minding their own business with ye olde villain decides to act. The hero, often just wandering by, decides to intervene. And lo! A fistfight is the result.

Can this be fun? Sure. Is it fun when it happens over and over again? For me? Nope. Now, the big question is why? I can only give you answer that works for me; as always with art, how one feels about this is pretty unique and can change with both experience and time. I think the problem with the stereotype is that it makes the villain active and not the hero. Often, the hero just wants to be left alone. This is not a recipe for an engaging story, especially if the villain is of the “one-and-done” variety (i.e.: the villain makes one appearance and then disappears, typically to jail or maybe to their seeming death, only to reappear a year or so down the road).

The big problem is that pesky notion of being “active.” We want — or rather, I want — an active hero. A hero that is trying to do something, something that is clear to the reader. When that’s lacking, when the hero just wants to be left alone, there’s a problem. So, in other words, an active hero combines with an active villain, each with clear goals. And one of the stronger resolutions, not always possible in fiction, is when resolving the problem the villain presents also resolves other issues the hero is facing.

This doesn’t mean that the goals have to be external. Often the best struggles are internal to the hero. Yeah, yeah, a hero could be scrounging up money to by a car and are actively trying to solve that problem. It’s often funner — at least to me — when the hero wants something intrinsic to their character; a simple example could be a fear or phobia.

Does this always have to be the case? Of course not. Sometimes the hero really is just minding their own business, perfectly happy, when the villain appears. If that’s always the situation, however, then I’d argue there’s a problem. One of the things I work very hard on with WOLF’S HEAD is to keep Lauren active. It’s a challenge, but man oh man is it ever rewarding when it works well. I think it did here, though you’ll have to let me know what you think!

WOLF’S HEAD Volume 5 Trade Paperback Graphic Novel

For those who would like to purchase a print copy, issue 9 and issue 10 are collected together in a 60 page trade paperback graphic novel. So while you can always read the series for free, print-lovers are well-represented, too! You can learn more about the graphic novel at https://wolfs-head.vonallan.com/p/wolfs-head-volume-5.html.

WOLF’S HEAD Book 1 Hardcover Graphic Novel

Aside from the aforementioned trade paperback, the first story arc (consisting of the first six issues of the ongoing series and combining the first three volumes of the trade paperback) is also available! This is a deluxe hardcover, larger than the trade paperbacks, and printed on fantastic paper! For those who would like a more immersive experience, this is a great way to go. And like the trade paperbacks, the hardcover is widely available at better comic book stores, book shops, and online retailers all over the world! You can learn more about the hardcover at https://wolfs-head.vonallan.com/2022/01/wolfs-head-book-1-in-hardcover-worldwide.html.

The second WOLF’S HEAD Story Arc

And, of course, you can always read the entire story arc for free at the Internet Archive! Please visit https://archive.org/search?query=creator%3A%22Von+Allan%22&sort=title for all the download links!

Read WOLF'S HEAD issue 8 of the comic book series for free on the Internet Archive

Elevator Pitch

“Lauren Greene is a young Detroit woman whose life is turned upside down after her mom saves a newborn life-form, a kind of Artificial Intelligence (AI), from a secretive corporation that intended to use the powerful baby for war. When her mom dies, Lauren is left alone to figure out what to do with the new life-form while also trying to make ends meet in her real life. Desperate for help, she has reached out to ex-scientist, Jack Dhillon, who has a personal hatred for the AI's creator. Lauren hopes that Dhillon will teach her to work with the AI, but can she convince him to help? This issue also introduces a new character, Super Bob Sanchez, a truck driver who is not (under any circumstance!) a hero.”

Key Links

Here are all of the key links:

• Internet Archive link for WOLF’S HEAD Issue 8: https://archive.org/details/wolfs-head-008-by-von-allan
• WOLF’S HEAD Volume 4 (collecting Issues 7 and 8 of the series): https://wolfs-head.vonallan.com/p/wolfs-head-volume-4.html
• Shop Page: https://wolfs-head.vonallan.com/p/shop.html
• Wolf’s Head Official Site: https://wolfs-head.vonallan.com/

SPLIT BOOK

WOLF’S HEAD is the first time in the series that I’ve tried something a little bit different. This issue is a “split” book. What’s that? Well, it’s an issue with two different stories with two different main characters. In this case, Lauren Greene is the star of the first story and Super Bob Sanchez is the star of the second!

“Split” books fascinate me; back in the 1960s, Marvel Comics faced a unique situation. Due to their distribution arrangement with Independent News Co., Marvel could only distribute a certain amount of titles per month. Why? Because Independent New Co. was owned by National Periodical Publications, the company that owned DC Comics. As Stan Lee noted in an interview, Marvel’s output was “eight or 12 books a month, which was all Independent News Distributors would accept from us.” “Split” books were one solution to the problem this distribution restriction represented. By having two stars rather than one, I presume that Marvel hoped they could gain more sales. Eventually, Marvel grew so strong that they could avoid these restrictions. Characters that rubbed shoulders with one another in the “split” books now could star in their very own titles.

I have a soft spot for a lot of the “split” books, though. Primarily STRANGE TALES, but also TALES TO ASTONISH and TALES OF SUSPENSE. Part of the idea with this issue of WOLF’S HEAD was to celebrate these titles. However, I also faced a practical problem that was tricky to solve. With WOLF’S HEAD, I wear all the hats. I knew I needed to introduce Super Bob into the story, but I wanted his story to run separately to Lauren’s. Well, I could have launched a second title. Yikes! Even if I wanted to launch a second title, I simply don’t have enough time to do it. So what to do? One solution was to “cross-cut” their narratives, basically using parallel editing. While I’ve done that before, this was not my preferred solution this time. Trying to brainstorm a solution, I remembered these ol’ “split” books. And that’s the way I decided to go!

Why did I want to dedicate so much space for Super Bob, a character that Lauren hasn’t even met yet? The answer to that, he says cryptically, will become apparent next issue and even more so in issue 10! So stick around; it’s going to be a great deal of fun!

WOLF’S HEAD Volume 4 Trade Paperback Graphic Novel

For those who would like to purchase a print copy, issue 7 and issue 8 are collected together in a 60 page trade paperback graphic novel. So while you can always read the series for free, print-lovers are well-represented, too! You can learn more about the graphic novel at https://wolfs-head.vonallan.com/p/wolfs-head-volume-4.html.

WOLF’S HEAD Book 1 Hardcover Graphic Novel

Aside from the aforementioned trade paperback, the first story arc (consisting of the first six issues of the ongoing series and combining the first three volumes of the trade paperback) is also available! This is a deluxe hardcover, larger than the trade paperbacks, and printed on fantastic paper! For those who would like a more immersive experience, this is a great way to go. And like the trade paperbacks, the hardcover is widely available at better comic book stores, book shops, and online retailers all over the world! You can learn more about the hardcover at https://wolfs-head.vonallan.com/2022/01/wolfs-head-book-1-in-hardcover-worldwide.html.

The first WOLF’S HEAD Story Arc

And, of course, you can always read the entire story arc for free at the Internet Archive! Please visit https://archive.org/search?query=creator%3A%22Von+Allan%22&sort=title for all the download links!

Read WOLF'S HEAD issue 7 of the comic book series for free on the Internet Archive

Elevator Pitch

“Lauren Greene has begun working with the young artificial intelligence (AI) she's encountered, but is having a difficult time creating a bond. The AI, similar to a child, either does not understand or simply cannot comprehend everything that Lauren is asking it to do. Frustrated, Lauren realizes that she needs help and begins seeking it out as best she can. At the same time, Lauren realizes that her friends are in danger simply for knowing her and she decides to protect them as best she can… with difficult results.”

Key Links

Here are all of the key links:

• Internet Archive link for WOLF’S HEAD Issue 7: https://archive.org/details/wolfs-head-007-by-von-allan
• WOLF’S HEAD Volume 4 (collecting Issues 7 and 8 of the series): https://wolfs-head.vonallan.com/p/wolfs-head-volume-4.html
• Shop Page: https://wolfs-head.vonallan.com/p/shop.html
• Wolf’s Head Official Site: https://wolfs-head.vonallan.com/

ONGOING CHANGE

In some ways, this is the most important comic I’ve ever written. Wait? Does something world-shaking happen in it? Actually, no, but it still means it’s probably the most important comic I’ve written. Why? Well, to answer this requires a step back to look at WOLF’S HEAD broadly.

Previous to WOLF’S HEAD, I’ve primarily written either stand-alone graphic novels or stand-alone short stories. In other words, stories of variable length that have a definitive beginning, middle, and end. The closest I had come previous to this was my abortive series METAL GODS; while that series did give me some valuable practical experience, it only lasted four issues. And, critically, I had a lot of it mapped out in advance.

The same was true for the first six issues of WOLF’S HEAD. While I didn’t every single issue written before I started drawing issue one, I did have the overall arc in mind that I wanted to do. After that? Well, I had some loose brainstorming ideas… and not much else. Since issue six also resolved a number of storylines, the sky was the limit with issue seven. I could go in any direction. Did I want to keep the story grounded in Detroit? Or did I want to move it to some other location? With Jeremy Hamilton, the main antagonist over the first six issues, sidelined with horrific injuries, who would be the antagonist going forward? Should their even be one? And what about Lauren, the main protagonist? She had faced the death of her mom, the adoption of her mom’s dog Sankō, and the embracing of the young artificial intelligence that her mom had befriended, but where was she going to go from there?

On top of all that, WOLF’S HEAD is an ongoing series. That’s the key word: ongoing. Where do I go from the end of issue six? Figuring that out took some doing and it challenged me in some unexpected ways. That was both fun and a little scary, but I’m extremely pleased with how it turned out. Why? ‘Cuz I think it builds on what came before in logical ways. Lauren continues to grow and change; she’s not the same character as she was back in issue one. That’s exciting to me. I dearly hope it’s exciting to you, too!

WOLF’S HEAD Volume 4 Trade Paperback Graphic Novel

For those who would like to purchase a print copy, issue 7 and issue 8 are collected together in a 60 page trade paperback graphic novel. So while you can always read the series for free, print-lovers are well-represented, too! You can learn more about the graphic novel at https://wolfs-head.vonallan.com/p/wolfs-head-volume-4.html.

WOLF’S HEAD Book 1 Hardcover Graphic Novel

Aside from the aforementioned trade paperback, the first story arc (consisting of the first six issues of the ongoing series and combining the first three volumes of the trade paperback) is also available! This is a deluxe hardcover, larger than the trade paperbacks, and printed on fantastic paper! For those who would like a more immersive experience, this is a great way to go. And like the trade paperbacks, the hardcover is widely available at better comic book stores, book shops, and online retailers all over the world! You can learn more about the hardcover at https://wolfs-head.vonallan.com/2022/01/wolfs-head-book-1-in-hardcover-worldwide.html.

The first WOLF’S HEAD Story Arc

And, of course, you can always read the entire story arc for free at the Internet Archive! Please visit https://archive.org/search?query=creator%3A%22Von+Allan%22&sort=title for all the download links!

Read WOLF'S HEAD issue 6 of the comic book series for free on the Internet Archive

Elevator Pitch

“Just as things are appearing to get back to some degree of normalcy after the death of a significant loved one, Lauren Greene is confronted by the corporate forces who created the Artificial Intelligence (AI) that she has befriended while they attempt to hunt it down. Forced to defend the AI, Lauren’s life and the lives of those she loves are very much in the balance as Jeremy Hamilton and his henchmen will not stop until the AI is theirs once again.”

Key Links

Here are all of the key links:

• Internet Archive link for WOLF’S HEAD Issue 6: https://archive.org/details/wolfs-head-006-by-von-allan
• WOLF’S HEAD Volume 3 (collecting Issues 5 and 6 of the series): https://wolfs-head.vonallan.com/p/wolfs-head-volume-3.html
• Shop Page: https://wolfs-head.vonallan.com/p/shop.html
• Wolf’s Head Official Site: https://wolfs-head.vonallan.com/

Milestone

Issue 6! A huge milestone in the life of Lauren and the characters around her, but also a milestone in the series so far. Why? Issue 6 represents the ending of a number of storylines that have been building since the very first issue. A number of things that were set-up quite early on payoff here and that, I think, is pretty damn exciting.

I have a philosophy about ongoing comics that is fairly different than a lot of what I see in the contemporary comics publishing scene. I’m a big believer in what’s called “episodic closure.” It’s a bit of a fancy form for a pretty simple concept: the “piece” of entertainment in front of you (a comic book, a TV show, a story, etc…) should be complete in and of itself. It shouldn’t string you along, completely open-ended. A lot of contemporary entertainment does just that; you watch an episode, and it starts in the middle of something and nothing resolves in that same episode. Is that “bad”? Of course not. We’re talking art here and there are no rules to art. All we have are tools to try and create stronger storytelling (however one might define that), a history of what’s come before us, and our own sensibilities on what works and why.

On the opposite end of all this is the kind of storytelling that did have episodic closure, but the closure was so tight that there was no growth or change at all. Think of a TV show prior to the 1980s, especially but not exclusively sitcoms. Many of them could be watched in any order (even switching the seasons up!) because, from the show’s point of view, there’s no change or growth at all. It’s just stasis; a constancy that prevents real change and real growth. That doesn’t mean there can’t be excellent writing, performances, and top-notch direction and cinematography in these types of TV shows. There often is. It just means that the characters, from the first episode to the finale, don’t change much. They often don’t change at all.

The trick with episodic closure, at least with how I approach my work, is to accomplish episodic closure while, at the same time, constantly building deeper and more nuanced characters, the world they live in, and the stories themselves. With WOLF’S HEAD, I think each issue stands on its own. But when you read them in sequential order, something deeper appears. That depth has a name: real change.

And with that in mind, here is Lauren introducing this issue!

WOLF’S HEAD Volume 3 Trade Paperback Graphic Novel

For those who would like to purchase a print copy, issue 5 and issue 6 are collected together in a 60 page trade paperback graphic novel. So while you can always read the series for free, print-lovers are well-represented, too! You can learn more about the graphic novel at https://wolfs-head.vonallan.com/p/wolfs-head-volume-3.html.

WOLF’S HEAD Book 1 Hardcover Graphic Novel

Aside from the aforementioned trade paperback, the first story arc (consisting of the first six issues of the ongoing series and combining the first three volumes of the trade paperback) is also available! This is a deluxe hardcover, larger than the trade paperbacks, and printed on fantastic paper! For those who would like a more immersive experience, this is a great way to go. And like the trade paperbacks, the hardcover is widely available at better comic book stores, book shops, and online retailers all over the world! You can learn more about the hardcover at https://wolfs-head.vonallan.com/2022/01/wolfs-head-book-1-in-hardcover-worldwide.html.

The first WOLF’S HEAD Story Arc

And, of course, you can always read the entire story arc for free at the Internet Archive! Please visit https://archive.org/search?query=creator%3A%22Von+Allan%22 for all the download links!

Read WOLF'S HEAD issue 5 of the comic book series for free on the Internet Archive

Elevator Pitch

“Lauren Greene is forced to deal with the recent death of a loved one. Trying to place the massive loss, Lauren’s situation is made all the harder as she struggles to come up with the money for the funeral, deals with the disappearance of her mom’s dog, and attempts to communicate with the strange artificial intelligence her mom had befriended.”

Key Links

Here are all of the key links:

• Internet Archive link for WOLF’S HEAD Issue 5: https://archive.org/details/wolfs-head-005-by-von-allan
• WOLF’S HEAD Volume 3 (collecting Issues 5 and 6 of the series): https://wolfs-head.vonallan.com/p/wolfs-head-volume-3.html
• Shop Page: https://wolfs-head.vonallan.com/p/shop.html
• Wolf’s Head Official Site: https://wolfs-head.vonallan.com/

Loss

Whew, this was one tough issue to write and draw. Why? Lauren is dealing with the death of… well, revealing that would be spoilers so I’ll just say someone very close to her. I wanted to make damn sure I handled that death as realistically as possible. While comics can tell any story in any genre, I feel that for WOLF’S HEAD, realism is what counts. Knowing that Lauren is poor meant having to figure out the costs of a funeral actually are. And how cold and inhumane so much of how our society, both American and Canadian, handles death. While Lauren certainly isn’t naive, she’s still shocked when she comes face-to-face with it, and we see that and feel that in this issue.

At the same time, I didn’t want to wallow in the death. Lauren is strong and while her grief overwhelmed her, the strength she possesses was something that she could fall back on. That and the love of her friends. That love and empathy forms a big part of the story and is an aspect of the series that I don’t talk too much about. Perhaps I should, but I think it shines through when one sits down and reads an issue or two.

Of course, the death isn’t a loss Lauren feels alone. And when a certain character also feels that loss, Lauren is shocked… perhaps more shocked then she really ever has been. Dealing with that was a great deal of fun and I think builds very plausibly from what occurred over the course of the previous issues. How will it all play out? Well, that’s something we’ll see begin to unfold over the course of the next few issues. Especially the next one, where the seeds of certain events finally start to grow.

Death is always hard. I’ve dealt with it a fair bit in my own life, some of which I’ve discussed here and here. I wanted to do a story that drives that loss home, but I think in a way that creates a great deal of hope. This issue also represents some of the best art I’ve ever done, especially the light house scene that ends the issue.

WOLF’S HEAD Volume 3 Trade Paperback Graphic Novel

For those who would like to purchase a print copy, issue 5 and issue 6 are collected together in a 60 page trade paperback graphic novel. So while you can always read the series for free, print-lovers are well-represented, too! You can learn more about the graphic novel at https://wolfs-head.vonallan.com/p/wolfs-head-volume-3.html.

Read WOLF'S HEAD issue 4 of the comic book series for free on the Internet Archive

Elevator Pitch

“Lauren Greene has been kidnapped by Jeremy Hamilton, the powerful man who invented a self-aware Artificial Intelligence (AI) that is now in possession of Lauren’s mom, Patty. In trade for Lauren’s freedom, her mom surrenders herself and the AI machine to Hamilton. Freed by Hamilton’s goons and assured that her mother will be released the next day, Lauren returns home to wait. But later that night, she learns, to her horror, that Patty has been suddenly hospitalized in critical condition and the AI is missing.

Since the AI has protected her mother in the past, Lauren races against time to find it, hoping that it can save Patty yet again. As she searches frantically, and with her world turned upside down, Lauren must confront an old enemy, dodge new ones, and find the AI, which might not want to be found… before it’s too late for everyone.”

Key Links

Here are all of the key links:

• Internet Archive link for WOLF’S HEAD Issue 4: https://archive.org/details/wolfs-head-004-by-von-allan
• WOLF’S HEAD Volume 2 (collecting Issues 3 and 4 of the series): https://wolfs-head.vonallan.com/p/wolfs-head-volume-2.html
• Shop Page: https://wolfs-head.vonallan.com/p/shop.html
• Wolf’s Head Official Site: https://wolfs-head.vonallan.com/

Turning Points

This issue marks a significant turning point in the life of Lauren, the protagonist and star of WOLF’S HEAD. The problem is that it’s hard to talk about without giving spoilers to this issue. Huh. That’s a conundrum, right? How to talk about a significant event in a character’s life without ruining the reveal of that event. Tricky!

Let me see if I can get at this way. For stories to work — and I mean that broadly, in variety of mediums and genres — readers have to care about the main characters. That goes without saying, right? If a character is just some weird cardboard cutout that we, as readers, don’t give two shits about, then everything else doesn’t matter. The plot might be exciting, full of twists and turns, but if we don’t care about the characters, then all of the other stuff just falls apart.

One of my goals with WOLF’S HEAD was to make the characters as real as possible. Okay, there’s always a bit of a “wink wink nudge nudge” going on here; you know that your reading fiction just as I know I’m writing and drawing fiction. That’s obviously true, but we also have a sort of “handshake agreement” here: for you to lose yourself in the narrative, I need to make sure that the characters are as believable as possible. If I screw that up, then that agreement is broken. So I work really damn hard not to screw it up!

One of my frustrations with so many corporate comics is that they do screw this up. Losses that a character goes through (be it death or other hardship) is often “reset” and the slate wiped clean. I suppose, when I’m feeling generous, I understand it. Corporate characters are literally corporate intellectual property (or IP); for that IP to have “value” (at least to the corporation that owns it), they have to produce value. If a character is killed or otherwise “on the shelf” for a long period of time, that value is often destroyed — regardless of how the readers feel about it.

When I was a kid, the deaths of Marvel characters like Jean Grey (“Marvel Girl/Phoenix”) or James MacDonald Hudson (“Guardian”) really moved me. Ditto for the death of Barry Allen (“Flash”) and over at DC. When all of those deaths were “undone” later on, it rang hollow. Unbelievable. Fake.

I’ve desperately tried to avoid that sort of thing in my own work. When you read this issue, you’ll see what I mean. Hopefully you’ll be moved, too.

WOLF’S HEAD Volume 2 Trade Paperback Graphic Novel

For those who would like to purchase a print copy, issue 3 and issue 4 are collected together in a 60 page trade paperback graphic novel. So while you can always read the series for free, print-lovers are well-represented, too! You can learn more about the graphic novel at https://wolfs-head.vonallan.com/p/wolfs-head-volume-2.html.

Read WOLF'S HEAD issue 3 of the comic book series for free on the Internet Archive

Elevator Pitch

“Lauren Greene and her mother, Patty, have a huge disagreement over the future of a self-aware Artificial Intelligence (AI) that her mom saved from a lab and sheltered from its war-mongering creators. Angry at her mother’s stubbornness and terrified of the world they’re suddenly involved in, Lauren storms out… only to be kidnapped by Jeremy Hamilton, the powerful man who invented the AI.”

Key Links

Here are all of the key links:

• Internet Archive link for WOLF’S HEAD Issue 3: https://archive.org/details/wolfs-head-003-by-von-allan
• WOLF’S HEAD Volume 2 (collecting Issues 3 and 4 of the series): https://wolfs-head.vonallan.com/p/wolfs-head-volume-2.html
• Shop Page: https://wolfs-head.vonallan.com/p/shop.html
• Wolf’s Head Official Site: https://wolfs-head.vonallan.com/

Characters and Goals

One of the things I love about comics is when you have well-established characters with different goals coming into conflict. To do that properly requires setting up each character so that they are as real as possible. When you know where a character is coming from — what they want and why — then it becomes a great deal of fun to put those goals into conflict with one another.

Conflict, from a writing point of view, is not Character A punching Character B. Conflict results from when a character can’t get what they want (or need). I think my favourite definition is by Keith Wilson in his book BODY TRAUMA: “Conflict is the core of all fiction. Without conflict there is no story. When obstacles prevent a character from obtaining his or her goals, there is conflict. It is also necessary that the consequences of not attaining the goal be profoundly significant for the character.” There’s no right way of doing this, but it obviously has to be crystal clear to the reader. If not, then the reader simply won’t understand the “whys” of the character’s actions.

An obstacle can be internal or external to the character. Here’s a simple example: a sixteen year old wants to get their driver’s licence. That’s their goal. An external obstacle could be a lack of money; they just can’t afford to pay for the licence and the driving school to learn. See? Simple but clear conflict. Then it becomes a matter of going through what the character does to get that money. Do they make good or bad decisions? What are the consequences of it? How do they act to overcome those consequences?

An internal obstacle is something intrinsic to the character. In the case of our young driver, an internal obstacle could be fear. They’re scared of driving. Maybe they were involved in an accident as a little kid? Regardless, they are scared and since that prevents them from accomplishing their goal, there’s conflict.

These obstacles can even work in conjunction with one another. Our teen wants to drive, but doesn’t have the money (external) and is terrified (internal). If we throw on another external obstacle (maybe they were offered a dream job, but it’s too far away and public transit is too poor to get there without a car). Here’s another: what if their mom is scared of them driving, too, and can’t face that their child has grown up? See? Now we have a number of situations where the teen is going to have to go through a lot to deal with the conflict and achieve their goals. So, with Lauren and her mom Patty, that’s what we have. Both women have goals, but their goals are different from one another. How that resolves is part of the fun of this issue!

WOLF’S HEAD Volume 2 Trade Paperback Graphic Novel

For those who would like to purchase a print copy, issue 3 and issue 4 are collected together in a 60 page trade paperback graphic novel. So while you can always read the series for free, print-lovers are well-represented, too! You can learn more about the graphic novel at https://wolfs-head.vonallan.com/p/wolfs-head-volume-2.html.

Wolf’s Head Volume 2 in trade paperback format Worldwide!

As I noted last week, the WOLF’S HEAD trade paperbacks are back in print in brand new editions! Today features the release of Volume 2, collecting issues 3 and 4 of the ongoing digital series. This is a full colour series and is 60 pages in length. And this issue features some significant events that really turn the series on its head, forcing Lauren (our main character) to make decisions. Decisions that she’d rather not make.

As always with my work, these are available in better bookstores and comic shops worldwide. Volume 2’s ISBN is 978-1-98-988524-6. If you don’t see it at your local store, then you can easily order it using that ISBN. Additionally, it is already starting to show up at various online retailers, too. For example:

Amazon: Amazon.com, Amazon.ca (Canada), Amazon.co.uk (United Kingdom), Amazon.de (Germany), and so on.

Barnes & Noble

Bookshop.org and IndieBound

But remember: I can’t control when and where this volume will become available. Be patient and don’t be afraid to ask your retailer for help! Volume 3 will be released next week. In fact, the metadata is already showing up on Amazon, Barnes & Noble, and Bookshop.org.

The Elevator Pitch

Here’s the blurb for Volume 2:

Lauren Greene and her mother, Patty, have a huge disagreement over the future of a self-aware Artificial Intelligence that her mom saved from a lab and sheltered from its war-mongering creators. Angry at her mother’s stubbornness and terrified of the world they’re suddenly involved in, Lauren storms out… only to be kidnapped by Jeremy Hamilton, the powerful man who invented the AI. Later that night, in trade for Lauren’s freedom, Patty surrenders herself and the AI machine to Hamilton.

Freed by Hamilton’s goons and assured that her mother is safe and will be released the next day, Lauren returns home to wait. But later that night, she learns, to her horror, that Patty has been suddenly hospitalized in critical condition and the AI is missing. Since the AI has protected her mother in the past, Lauren races against time to find it, hoping that it can save Patty yet again. As she searches frantically, and with her world turned upside down, Lauren must confront an old enemy, dodge new ones, and find the AI, which might not want to be found… before it’s too late for everyone.

Read for Free

As many of you know, I’ve also begun serializing the comic book series for free on the Internet Archive (https://www.archive.org) as part of my “Pirate Von” initiative. As I mentioned above, WOLF’S HEAD Volume 2 consists of issues 3 and 4 of the ongoing series. While you can find the links to both on the Internet Archive as well as the “Pirate Von” section of this very website, to make it easier the links to both issues 3 and 4 are below.

Oh, and please remember! If you enjoy them and would like a physical copy, you can purchase Volume 2 in stores — both online and off — around the world!

   

   

TEASER FOR WOLF’S HEAD VOLUME 2

And here’s a teaser to help cement the idea. Two digital comics inside one trade paperback volume!

Read WOLF'S HEAD issue 2 of the comic book series for free on the Internet Archive

Elevator Pitch

“After Patty Greene helps a young Artificial Intelligence escape from a secretive corporation under the cover of a huge research factory fire, she turns to her daughter Lauren for help keeping it safe. Giddy with excitement, Patty doesn’t recognize the danger she has put herself in… but Lauren does and she is terrified. As Lauren does her best to help her mom, the tensions over the Artificial Intelligence erupt between them, leaving Lauren on her own. Broke, down on her luck, and needing a job very badly, Lauren turns to her friends for aid, all the while keeping her mom’s discovery a secret.”

Key Links

Here are all of the key links:

• Internet Archive link for WOLF’S HEAD Issue 2: https://archive.org/details/wolfs-head-002-by-von-allan
• WOLF’S HEAD Volume 1 (collecting Issues 1 and 2 of the series): https://wolfs-head.vonallan.com/p/wolfs-head-volume-1.html
• Shop Page: https://wolfs-head.vonallan.com/p/shop.html
• Wolf’s Head Official Site: https://wolfs-head.vonallan.com/

Grounding in Reality

This issue picks up immediately after issue 1. Literally moments after. I don’t often do this and I suspect it will be a bit of an anomaly with the series itself, but it was a lot of fun to brainstorm! Especially the opening page, since it picks up right after the final page of the very first issue of WOLF’S HEAD.

Last issue saw the reveal of the weird shape-changing artificial intelligence that Lauren’s mom, Patty, befriended. This issue starts delving into the background of that; how did Patty meet it? What’s their relationship like? And just what the hell is this weird AI “thing” that is now a big part of Patty’s life? Lauren has a lot of questions and her mom — much to Lauren’s frustration — is not exactly forthcoming with answers.

Throw in the other problems in Lauren’s life and it’s a recipe for a lot of drama. Even without her mom’s new complication, Lauren is still struggling to find a job and pay rent. That creates a great deal of pressure on her and her struggle to resolve that plays a big part of this issue.

I don’t know about you, but I actually really like grounding characters in reality. One of my immense frustrations with a lot of contemporary stories (regardless of the medium) is when we can clearly see that the lives of the characters are not realistic. Yves Smith on her Naked Capitalism site wrote a great piece on this that’s well-worth a read. She noted, “Not only does TV show how the better-off half lives, TV and the movies regularly depict characters living in better circumstances than the incomes that go with their jobs would allow.”

A reader named Clive then wrote a wonderful comment on that post. A quick (and hopefully fair use) excerpt: “Once I started noticing a phenomena (…) TV houses having unreasonably large rooms or characters having a standard of living not commensurate with their jobs (…) the author has to conjure up some outrageously contrived explanation and scenarios as to how the central characters have the time and resources to participate in whatever story arc they are about to be launched upon. (…) Where do the participants get their money from? If they work, what do they do which gives them the energy to pursue the plot line?”

One of my goals with WOLF’S HEAD was to avoid this. For me, the ordinary day-to-day struggles that characters have are important. It rings true because for so many of us it is true. One can tack on the fantastic on top of that, but that core of realism is a big part of the story. And a big part of WOLF’S HEAD.

WOLF’S HEAD Volume 1 Trade Paperback Graphic Novel

For those who would like to purchase a print copy, issue 1 and issue 2 are collected together in a 60 page trade paperback graphic novel. So while you can always read the series for free, print-lovers are well-represented, too. You can learn more about the graphic novel at https://wolfs-head.vonallan.com/p/wolfs-head-volume-1.html.

Read WOLF'S HEAD issue 1 of the comic book series for free on the Internet Archive

I’m so pleased to announce this! WOLF’S HEAD is an ongoing comic book series by yours truly (ahem, that Von Allan guy from the Great White North) and is now available on the Internet Archive! And this is only the beginning. Each subsequent issue will also be released for free via the same Internet Archive. This, for me, is a pretty big deal and I’m so happy to be able to share this series with you. This is also part of my “Pirate Von” initiative, where I’m making all of my comics available for free worldwide. Why? Well, as Tim O’Reilly once wrote, “Obscurity is a far greater threat to authors and creative artists than piracy.”

I hope you give the series a shot. Obviously you can read it for free and the wonderful aspect of the Internet Archive is that they automatically convert my files into a number of different formats. And you do not need an account or membership to download, too! If you would like a print copy, that’s already happening. Every two issues of the digital series will be collected into a very lovely trade paperback graphic novel. Volume 1 is already available (collecting issues 1 and 2 of the digital series). Volume 2 (collecting issues 3 and 4) and Volume 3 (collecting issues 5 and 6) will be available shortly and new volumes will become available in the coming months.

Key Links

Here are all of the key links:

• Wolf’s Head Official Site: https://wolfs-head.vonallan.com/
• Internet Archive links for my Comics: https://archive.org/search?query=creator%3A%22Von+Allan%22
• WOLF’S HEAD Volume 1: https://wolfs-head.vonallan.com/p/wolfs-head-volume-1.html
• WOLF’S HEAD Volume 2: https://wolfs-head.vonallan.com/p/wolfs-head-volume-2.html
• WOLF’S HEAD Volume 3: https://wolfs-head.vonallan.com/p/wolfs-head-volume-3.html
• Von Allan Studio Shop Page: https://wolfs-head.vonallan.com/p/shop.html

The Elevator Pitch

Let’s get that pesky Elevator Pitch out of the way. Here goes: “Lauren Greene is a young woman who has quit her job as a police officer in Metro Detroit after becoming frustrated with growing police violence. She is slowly becoming more aware of the injustices around her; the divide between rich and poor, racism, lack of opportunity for many people, health and illness bankrupting and destroying people, and more. At the same time, and unbeknownst to Lauren, a secretive corporation has created an artificial intelligence (AI) designed for war. An AI that might actually change the world… but not for the better. Struggling to find work in a tough economy and unsure of what to do with her life, Lauren suddenly has a new problem: her mom, Patty, has found and connected with the newly born AI. And, partially due to that connection, the AI has become empathic and humane, much to the frustration of the corporate executives and scientists who created it. After Patty helps the young AI escape under the cover of a huge research factory fire, she turns to her daughter for help keeping it safe. Giddy with excitement, Patty doesn’t recognize the danger she has put herself in… but Lauren does and she is terrified. Her fear is realized when the two women are confronted by corporate forces who want to stifle knowledge of the AI and keep it for themselves.”

And, of course, you can also browse this very website for additional information. There is also a full press kit for the series, too!

Real Time and the Real World

One of the things I love about writing and illustrating a series like this is that it takes place in our real world and also uses real time. Let’s talk about the real world first. One of my favourite quotes about this is by Frank Houston in a piece he wrote on Salon.com back in 1999. Discussing Stan Lee and the rise of Marvel Comics, he noted, “New York City was where the superheroes lived. It was one of those childhood truths, a Big Apple bustling with vibrantly costumed superhumans. Spider-Man lived in Queens, the Fantastic Four in Midtown and Doctor Strange down on Bleecker Street. It was important that Lee’s heroes lived in the real world, and not in Gotham City or Metropolis, because they were real people.” (my emphasis added). That’s it. One of the conceits of WOLF’S HEAD is that Lauren’s adventures and situations are taking place in our oh-so-real world. That’s part of the fun!

Real time is just as easy. The dates that events occur matter. Lauren’s adventures don’t take place in some form of stasis. Far from it! Her stories take place in real time. As a result, time moves and characters age. This is an idea that I think was first seen in Frank King’s GASOLINE ALLEY, but is certainly not unique to it. It is rare in other comics, but certainly not unusual. Frankly, I love using real time because I believe it immediately grounds the stories in change. And change, I’d argue, is what it’s all about.

Lauren is going to change during the course of the series. And not just Lauren, either. The characters around her, too. All of ‘em! Is it challenging to do this? Sure. I think, though, that it really helps cement that notion of realism that I’m looking for. Change happens in our real lives and it will happen to the characters in WOLF’S HEAD. Some of that change may be hard at times, but that’s a part of change, too.

Artificial Intelligence

What about this whole artificial intelligence “thing,” anyway? Why use a fairly common trope? Well, the answer to this is a bit tricky to explain. I’m sick and tired of reading story after story about an evil AI that becomes self-aware and then proceeds — damn the consequences! — to murder every single human being on the planet. While these types of stories can be fun (hell, I’m a big fan of THE TERMINATOR and TERMINATOR 2: JUDGMENT DAY), they’ve become quite repetitive. I wanted to invert the trope and, by doing that, play with it. And remember what I just said about stories set in our real world and featuring real time? That also implies real change. In other words, how the AI changes and grows is a big part of the plot of WOLF’S HEAD. I’m hoping you’ll find this as delightful as I do.

Lastly, why is it called “WOLF’S HEAD” anyway? Some of this will be revealed in time, but here’s a sneaky little hint from Wikipedia: “Caput lupinum. The term literally means ‘wolf’s head’ or ‘wolfish head’ and refers to a person considered to be an outlaw, as in, e.g., the phrase caput gerat lupinum (‘may he wear a wolfish head’ / ‘may his be a wolf’s head’).”

There’s a great deal of fun, adventure, drama, and action to come! It’s going to be a great ride. Join me, won’t you?